Light is the primary subject. For years, I have traversed the wind-sculpted topographies of Iceland, New Zealand, and Patagonia to document the rare, fleeting illumination of the world's most remote wilderness.

My work focuses on the intersection of geologic time and subpolar light. From the calving glacial shelves of the north to the granite towers of the south, I seek to capture the stillness of landscapes untouched by human presence.

Each expedition is a study in patience, utilizing large-format capture to preserve the granular detail of basalt, ice, and alpine mist for archival fine-art prints.